German Expressionist Painter and Sculptor, 1880-1938 was a German expressionist painter and printmaker and one of the founders of the artists group Die Brucke or "The Bridge", a key group leading to the foundation of Expressionism in 20th century art. He volunteered for army service in the First World War, but soon suffered a breakdown and was discharged. In 1933, his work was branded as "degenerate" by the Nazis and in 1937 over 600 of his works were sold or destroyed. In 1938 he committed suicide. In 1913, the first public showing of Kirchner's work took place at the Armory Show, which was also the first major display of modern art in America. In 1921, U.S. museums began to acquire his work and did so increasingly thereafter. His first solo show was at the Detroit Institute of Arts in 1937. In 1992, the National Gallery of Art, Washington, held a monographic show, using its existing collection; a major international loan exhibition took place in 2003. In November 2006 at Christie's, Kirchner's Street Scene, Berlin (1913) fetched $38 million, a record for the artist.  Related Paintings of Ernst Ludwig Kirchner :. | Wod-cart in forest | Gelbes Engelufer (heute: Engeldamm) in Berlin | Harnessed team - Pen in ink | Stil live with tulips and oranges | Schlemihls entcounter with small grey man |
Related Artists:
Jacques de la Joue
1687-1761 French Jacques de la Joue Gallery
Bartholomeus Breenbergh
(before 13 November 1598 - after 3 October 1657) was a Dutch painter born in Deventer. Breenbergh established himself in Amsterdam and then in 1619 went to Rome. There he lived and worked with the Flemish painter Frans van de Kasteele and was heavily influenced by another Fleming, the landscape painter Paul Bril. From 1623, however, he came completely under the spell of Italian landscapes by the somewhat older Cornelis van Poelenburgheindeed, the works of Breenbergh and van Poelenburgh are sometimes very difficult of tell apart. Breenbergh in his turn influenced the French painter Claude Lorrain. Breenbergh was one of the founders of the Bentvueghels, where he was nicknamed "het fret". In 1633 Breenbergh returned to Amsterdam, where he remained until his death, and where he made paintings and etchings of Italian buildings. There he was influenced by the pre-Rembrandtists such as Pieter Lastman and Nicolaes Moeyaert, but he placed their Biblical and mythological scenes in Italian landscapes.
EYCK, Hubert van
Flemish Northern Renaissance Painter, ca.1370-1426